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Extensible Markup Language  |  2004-09-06  |  3KB  |  64 lines

  1. <?xml version="1.0" encoding="UTF-8"?>
  2. <page>
  3.     <template layout="J">
  4.         <module type="text" position="TL" nodepath="text"/>
  5.         <module type="fader" position="TC" nodepath="imageFade"/>
  6.         <module type="v_tracks" position="TR" nodepath="tracks"/>
  7.     </template>
  8.     <content>
  9.         <imageFade>
  10.             <image><![CDATA[../music/13/13_a.jpg]]></image>
  11.             <image><![CDATA[../music/13/13_b.jpg]]></image>
  12.             <image><![CDATA[../music/13/13_c.jpg]]></image>
  13.             <image><![CDATA[../music/13/13_d.jpg]]></image>
  14.             <image><![CDATA[../music/13/13_e.jpg]]></image>
  15.         </imageFade>
  16.         <tracks>
  17.             <image><![CDATA[../music/covers/13.jpg]]></image>
  18.             <title/>
  19.             <link link="2">
  20.                 <label/>
  21.                 <label_animated><![CDATA[Buy online|FREE<br>DELIVERY]]></label_animated>
  22.                 <link/>
  23.             </link>
  24.             <tracks path="audio/music/thirteen/">
  25.                 <track file="fire">
  26.                     <title><![CDATA[Into the Fire]]></title>
  27.                     <title_animated/>
  28.                 </track>
  29.                 <track file="glass">
  30.                     <title><![CDATA[Thru the Glass]]></title>
  31.                     <title_animated/>
  32.                 </track>
  33.                 <track file="automatic">
  34.                     <title><![CDATA[Automatic]]></title>
  35.                     <title_animated/>
  36.                 </track>
  37.                 <track file="salt">
  38.                     <title><![CDATA[The Salt Wound Routine]]></title>
  39.                     <title_animated/>
  40.                 </track>
  41.                 <track file="gone">
  42.                     <title><![CDATA[Gone]]></title>
  43.                     <title_animated/>
  44.                 </track>
  45.                 <track file="history">
  46.                     <title><![CDATA[History]]></title>
  47.                     <title_animated/>
  48.                 </track>
  49.             </tracks>
  50.             <buttons>
  51.                 <listen><![CDATA[Listen...]]></listen>
  52.             </buttons>
  53.         </tracks>
  54.         <text>
  55.             <dimensions width="173" height="385"/>
  56.             <title><![CDATA[Thirteen Senses]]></title>
  57.             <title2><![CDATA[<br>The Invitation]]></title2>
  58.             <title3/>
  59.             <byline><![CDATA[Dan CairnsΓÇÖs insider view]]></byline>
  60.             <body><![CDATA[Golly, but Chris MartinΓÇÖs writ runs far and wide So pervasive can Coldplay's influence now seem, itΓÇÖs easy to forget that people wrote songs for catch-in- the-voice demi-falsetto, four-in-the-bar piano chords and chiming guitar before Trouble and The Scientist. In the wrong hands, the influence Coldplay wield can produce mawkish whine-bar whimsy thatΓÇÖs hard to stomach and even harder to dislodge. But get it right, as this Cornish four-piece emphatically do, and you produce an album stuffed with anthemic, singalong epics (such as Into the Fire and Thru the Glass). Tom WellhamΓÇÖs guitar is as indispensable to Thirteen Senses as Jonny BucklandΓÇÖs is to Coldplay, while Will SouthΓÇÖs David Gates-like croon carries all before it. A dozen tracks may be pushing it, but for starters, The Invitation is hard to resist.  Click <a href="asfunction:Tardis.webPageOpen,http://www.thirteensenses.com"><b>here</b></a> to visit the official Thirteen Senses website.]]></body>
  61.             <body2/>
  62.         </text>
  63.     </content>
  64. </page>